Citation Impact
Citing Papers
Dynamic representation of musical structure
1994
Musical Performance: A Guide to Understanding
2002
Sensitivity to musical emotion is influenced by tonal structure in congenital amusia
2017 Standout
Metre and rhythm in piano playing
1985
Rhythm and pitch in music cognition.
2000
Varieties of Musical Disorders
2003 Standout
The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending
2000 Standout
Music in the exercise domain: a review and synthesis (Part I)
2011 Standout
Dyslexia and Music
2003
(A)musicality in Williams syndrome: examining relationships among auditory perception, musical skill, and emotional responsiveness to music
2013
Musical Training Influences Linguistic Abilities in 8-Year-Old Children: More Evidence for Brain Plasticity
2008 Standout
Music training for the development of auditory skills
2010 Standout
Music and Early Language Acquisition
2012
Expected endings and judged duration
1993
The REDCap consortium: Building an international community of software platform partners
2019 Standout
Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training
2006 Standout
On the role and origin of isochrony in human rhythmic entrainment
2008
Varieties of musical experience
2006
Time estimation and attentional perspective
1991
Musical experience shapes top-down auditory mechanisms: Evidence from masking and auditory attention performance
2009
The Weak Coherence Account: Detail-focused Cognitive Style in Autism Spectrum Disorders
2006 Standout
Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations
1992
The time of our lives: Life span development of timing and event tracking.
2006 Standout
Music, rhythm, rise time perception and developmental dyslexia: Perception of musical meter predicts reading and phonology
2010
Brain correlates of music-evoked emotions
2014 Standout
Cue utilization in communication of emotion in music performance: Relating performance to perception.
2000
Features and uses of high-fidelity medical simulations that lead to effective learning: a BEME systematic review
2005 Standout
Musical Training as a Framework for Brain Plasticity: Behavior, Function, and Structure
2012 Standout
Mapping musical thought to musical performance.
1989
Musical Experience Limits the Degradative Effects of Background Noise on the Neural Processing of Sound
2009
Sensorimotor coupling in music and the psychology of the groove.
2011 Standout
An exploratory study of musical emotions and psychophysiology.
1997 Standout
Recognition failure and the composite memory trace in CHARM.
1991
Deliberate Practice and Acquisition of Expert Performance: A General Overview
2008 Standout
A meta-analytic review of occupational commitment: Relations with person- and work-related variables.
2000 Standout
Pitch and rhythmic patterns affecting infants' sensitivity to musical phrase structure.
1993
The Musicality of Non-Musicians: An Index for Assessing Musical Sophistication in the General Population
2014 Standout
Emotional responses to music: The need to consider underlying mechanisms
2008 Standout
Training Improves Acoustic Pattern Perception
2004
The do re mi's of everyday life: The structure and personality correlates of music preferences.
2003 Standout
Deliberate Practice and the Acquisition and Maintenance of Expert Performance in Medicine and Related Domains
2004 Standout
Communication of emotions in vocal expression and music performance: Different channels, same code?
2003 Standout
Emotions evoked by the sound of music: Characterization, classification, and measurement.
2008 Standout
Talent identification and development in soccer
2000 Standout
Relationships between performance timing, perception of timing perturbations, and perceptual-motor synchronisation in two chopin preludes
1999
A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues
1999 Standout
Embodiment and Cognitive Science
2005
The Limited Capacity Model of Mediated Message Processing
2000 Standout
Psychological Processes Involved in the Temporal Organization of Complex Auditory Sequences: Universal and Acquired Processes
1998
Can Dance Reflect the Structural and Expressive Qualities of Music? A Perceptual Experiment on Balanchine's Choreography of Mozart's Divertimento No. 15
1997
Black Atlantic Rhythm: Its Computational and Transcultural Foundations
2002
“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity
2003
Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates
2002
Perceived Emotional Expression in Synthesized Performances of a Short Melody: Capturing the Listener's Judgment Policy
1997
The Beauty of Character Education on Preschool Children's Parent-child Relationship
2014 Standout
From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions
2013
Addressing the multifaceted nature of music education: An activity theory research perspective
2007
Creative thinking in music: Its nature and assessment through musical exploratory behaviors.
2012
Restricting the field of view to investigate the perceptual spans of pianists
2003
Workplace participatory practices
2004 Standout
MUSIC PERFORMANCE
1997
Computational models of music perception and cognition II: Domain-specific music processing
2008
Music in Everyday Life
2000 Standout
The savant syndrome: an extraordinary condition. A synopsis: past, present, future
2009 Standout
LIFESPAN PSYCHOLOGY: Theory and Application to Intellectual Functioning
1999 Standout
Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience
1996
STEAM in practice and research: An integrative literature review
2018 Standout
The Cambridge Handbook of the Psychology of Aesthetics and the Arts
2014
Dynamic pattern structure in music: Recent theory and research
1987
Cognitive Abilities and Motivational Processes in High School Students' Situational Engagement and Achievement in Science
2002 Standout
Autism and Pitch Processing: A Precursor for Savant Musical Ability?
1998
Perceiving temporal regularity in music
2002
Toward a computational model of expression in music performance: The GERM model
2001
Buchbesprechungen
2005 Standout
Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance
2003
Accent Structures in the Reproduction of Simple Tunes by Children and Adult Pianists
1991
When Your Ear Sets the Stage: Musical Context Effects in Film Perception
2001
Perceiving Action Identity
2004
Music Psychology and Music Theory: Problems and Prospects
1995
Brain Organization for Music Processing
2004 Standout
Computational Modeling of Music Cognition: A Case Study on Model Selection
2006
In time with the music: the concept of entrainment and its significance for ethnomusicology
2005 Standout
A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms
1994
Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening
2004 Standout
Local versus global processing of harmonic cadences in the solution of musical puzzles
1998
Grounded Cognition
2007 Standout
Some Examples of Complex Meters and Their Implications for Models of Metric Perception
1995
Vocal communication of emotion: A review of research paradigms
2003 Standout
Managerial cognitive capabilities and the microfoundations of dynamic capabilities
2014 Standout
Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’
1992
The Communication of Musical Metre in Piano Performance
1983
Emotional Communication in Music Performance: A Functionalist Perspective and Some Data
1997
A theoretical framework for rhythm perception
1984
The power of music: Its impact on the intellectual, social and personal development of children and young people
2010 Standout
Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
1996
Knowing in practice: re-conceptualising vocational expertise
2001 Standout
A Model of Melodic Expectation
2005
EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints
1996 Standout
The role of deliberate practice in the acquisition of expert performance.
1993 Standout
Properties of Expressive Variability Patterns in Music Performances
2000
A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas
1996
Exploring Co-Performer Communication
2002
Dissociations among functional subsystems governing melody recognition after right-hemisphere damage
2001
Cue utilization in communication of emotion in music performance: Relating performance to perception.
2000
Handbook of Emotions
1993 Standout
The 35th Sir Frederick Bartlett Lecture: Eye movements and attention in reading, scene perception, and visual search
2009 Standout
A sensorimotor theory of temporal tracking and beat induction
2002
Expertise in design: an overview
2004 Standout
Works of Eric Clarke being referenced
The Cambridge Companion to Recorded Music
2009
The Practice of Performance
1995
Interdependence of right and left hands in sight-read, written, and rehearsed fingerings of parallel melodic piano music
1999
The Tulving-Wiseman law and the recognition of recallable music
1990
Dyslexia and music: measuring musical timing skills
2003
Mind the gap: formal structures and psychological processes in music
1989
The perception of expressive timing in music
1989
An Ergonomic Model of Keyboard Fingering for Melodic Fragments
1997
Perceiving Musical Time
1990
Issues in language and music
1989
Some Aspects of Rhythm and Expression in Performances of Erik Satie's "Gnossienne No. 5"
1985
Imitating and Evaluating Real and Transformed Musical Performances
1993
Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives
2011
The perception of audiovisual relationships: A preliminary study.
1994
Generativity, mimesis and the human body in music performance
1993
Ways of Listening
2005
Timing in the performance of Erik Satie's ‘Vexations’
1982
Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool
1997
Meaning and the Specification of Motion in Music
2001
Real and Simulated Expression: A Listening Study
2000
The Imitation of Perceived Rubato: A Preliminary Study
1987
Levels of structure in the organization of musical time
1987
Theory, Analysis and the Psychology of Music: A Critical Evaluation of Lerdahl, F. and Jackendoff, R., A Generative Theory of Tonal Music
1986
Creativity in performance
2005